Norman Laird was a pioneering Tasmanian advocate for nature conservation through documentary filmmaking and writing in an era before environmental activism was well known, yet his achievements have since been overlooked. Through the camera and pen, Laird was a seminal influence on public discourse about Tasmanian nature in the mid-twentieth century, and, being in the vanguard of environmental thinking, he was at the forefront of the campaign to save Lake Pedder in the early 1970s. His story is particularly fascinating because LairdÂ’s long career with the Tasmanian Government Film Unit potentially conflicted him in making government-sponsored cinema that celebrated hydro-dams, forestry and other environmentally impactful activities. How Laird navigated that tension and how the Film Unit itself evolved amidst the environmental activism of the 1970s provokes wider reflections on the role of environmental documentaries in mediating social change.
Published Papers
The Royal Society of Tasmania acknowledges, with deep respect, the traditional owners of this land, and the ongoing custodianship of the Aboriginal people of Tasmania. The Society pays respect to Elders past, present and emerging. We acknowledge that Tasmanian Aboriginal Peoples have survived severe and unjust impacts resulting from invasion and dispossession of their Country. As an institution dedicated to the advancement of knowledge, the Royal Society of Tasmania recognises Aboriginal cultural knowledge and practices and seeks to respect and honour these traditions and the deep understanding they represent.
On 15 February 2021, the Royal Society of Tasmania offered a formal Apology to the Tasmanian Aboriginal people. Read more